I Was Born To Be With You
First published. October 4, 2013
A lonely violin plays behind the snowdrifts, and a sad three measures later a finely tuned piano fills the empty spaces. Her sweet fragrance wafts across the winter dusk, and every breath comes out as a pale vapor cloud that hangs in the air between him and the vacant place next to him on the bench. Noisy crowds interrupt his reverie and explode like Christmas fireworks: daughters and brothers, uncles and wives, dearest friends, punks and families, thieves and distant professors from nearby schools, all of them occupied and looking down. He looks up and thinks about her . . .
. . . oh, God, how he thinks about her!
Nearby a happy girl and clever boy huddle in each other’s arms, blind to strangers, to the glassy barren branches and icy paths before them, and plan to take a ride under blankets in a carriage. The night lights of the city look like heaven the way he used to dream it, and a plane overhead scatters angels. Skaters glide to organ tunes, but he just sits and thinks about her . . .
. . . he always thinks about her.
A calliope refuses pain, an old man shuffles by looking for a partner, someone to smoke a pipe and play a game of chess. Taxicabs go honking by, and the park gets darker by the hour. People in their woolen coats take photographs and hide themselves inside themselves, pretending to love and wanting love, afraid to lose the way the other sees them. Selfishness disguised as selflessness, they hold on tightly and won’t let go, charity bells ring all around the park, homeless men on every corner look for Oz and find only him, and all he can tell them is how much he thinks about her . . .
. . . how hard it is to stop thinking about her. How he never wants to stop thinking about her.
No one asks or thinks about her, not the clowns that ride the carrousel and make ballon animals for dancing girls, not the doormen who brave the cold holding big brass doors for businessmen and wealthy whores, not single secretaries, not the student with his college books, nor the satisfied working woman who casts them all disdainful looks. None of them understands or even knows why he thinks about her . . .
But even though no one he knows thinks about her, because they don’t know about her, he takes his time and thinks about her. Remembers her. Misses her. Knows someday he’ll be with her.
The lonely violin plays on, silently a new snow falls, the old man sits at the chessboard and checkmates himself. The boy and girl kiss one last time and run to catch a cab. A coed finds the student with the books and they hail a horse-drawn carriage, going for a ride around the park while snow-dimmed lights penetrate the dark, and the strangers in their woolen coats drift down the boulevard pretending to believe the lies they’ve spun in their minds, going home with lovers they won’t really miss when they wake up from their sleepless dreams. He wonders what she’d say if she were here, wonders if it matters that after all these years he waits for her, still wants her, still needs her. Wonders if he’ll always think about her, if she ever thinks about him.
Every breath comes out a wispy cloud and hangs in the air between him and the vacant place on the bench, the lonely violin plays behind the drifts, and a tattooed hobo walking by mumbles, “‘I was born to be with you.’ She says to tell you, ‘I was born to be with you.’”
He places his arm across the back of the snow-blanketed bench and pretends to pull her close, to keep her warm, and plans a ride. A cab, a carriage . . . a chariot to the sky. He says with the barest half smile to the cold and hollow wintry night, “I was born to be with you, too. I was born to be with you.”